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	<title>REBECCA N KING FINE ART</title>
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		<title>Class Location Monday, March 21, 2012</title>
		<link>http://rebeccahawkinsonpaintings.com/press/?p=462</link>
		<comments>http://rebeccahawkinsonpaintings.com/press/?p=462#comments</comments>
		<pubDate>Mon, 06 Feb 2012 13:16:01 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Location for Class Tomorrow, Wedenesday, March 21, 2012: Asheville Botanical Gardens!  A public location that is easy to find on google maps!  I will keep my phone close by.  See you tomorrow at 10 am. Rebecca N King 828-664-1828]]></description>
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		<title>Composition</title>
		<link>http://rebeccahawkinsonpaintings.com/press/?p=451</link>
		<comments>http://rebeccahawkinsonpaintings.com/press/?p=451#comments</comments>
		<pubDate>Mon, 30 Jan 2012 20:31:08 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://rebeccahawkinsonpaintings.com/press/?p=451</guid>
		<description><![CDATA[From Edgar Payne in Compostion of Outdoor Painting  &#8220;Ruskin says, in as many words, that the great aim of composition is to create unity and that one feature should be the main interest and dominate all other interests or masses.  Practically all other writers on art agree that this is the main principle in creating [...]]]></description>
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		<title>Directions to Wednesday&#8217;s Location</title>
		<link>http://rebeccahawkinsonpaintings.com/press/?p=390</link>
		<comments>http://rebeccahawkinsonpaintings.com/press/?p=390#comments</comments>
		<pubDate>Tue, 24 Jan 2012 14:16:30 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Landscape Painting]]></category>

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		<description><![CDATA[&#160; On Wednesday we&#8217;ll be drawing over in the Biltmore area, near Bill&#8217;s house.  Here are directions.  If you aren&#8217;t sure feel free to call me at 828-664-1828 or you can call Bill whose number is below. &#160; Address: 12 Beadle Lane, The Ramble (see map). Phone: 505-4043 • Email: bgeorge@synergyarts.com &#160; &#160; Enter on Valley [...]]]></description>
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		<title>Sizing, Gessoeing and Toning Paper</title>
		<link>http://rebeccahawkinsonpaintings.com/press/?p=385</link>
		<comments>http://rebeccahawkinsonpaintings.com/press/?p=385#comments</comments>
		<pubDate>Tue, 24 Jan 2012 14:10:32 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[How to Draw]]></category>
		<category><![CDATA[Landscape Painting]]></category>
		<category><![CDATA[Gesso]]></category>
		<category><![CDATA[gesso-paper]]></category>
		<category><![CDATA[Make-your-own-toned-paper]]></category>
		<category><![CDATA[rabbit-skin-glue]]></category>

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		<title>Resource Books for this Class:</title>
		<link>http://rebeccahawkinsonpaintings.com/press/?p=354</link>
		<comments>http://rebeccahawkinsonpaintings.com/press/?p=354#comments</comments>
		<pubDate>Tue, 24 Jan 2012 04:15:06 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[How to Draw]]></category>
		<category><![CDATA[Landscape Painting]]></category>
		<category><![CDATA[Books on Landscape]]></category>
		<category><![CDATA[Books on Pleine Air]]></category>
		<category><![CDATA[Drawing Books]]></category>

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		<title>Materials</title>
		<link>http://rebeccahawkinsonpaintings.com/press/?p=370</link>
		<comments>http://rebeccahawkinsonpaintings.com/press/?p=370#comments</comments>
		<pubDate>Tue, 24 Jan 2012 04:02:04 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[How to Draw]]></category>
		<category><![CDATA[Landscape Painting]]></category>
		<category><![CDATA[Charcoal]]></category>
		<category><![CDATA[Landscape Drawing]]></category>
		<category><![CDATA[Materials for drawing outdoors]]></category>
		<category><![CDATA[Nitram Charcoal]]></category>

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		<title>Form Is Everything</title>
		<link>http://rebeccahawkinsonpaintings.com/press/?p=11</link>
		<comments>http://rebeccahawkinsonpaintings.com/press/?p=11#comments</comments>
		<pubDate>Mon, 23 Jan 2012 01:17:54 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[How to Draw]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[balance]]></category>
		<category><![CDATA[Cimabue]]></category>
		<category><![CDATA[Da Vinci]]></category>
		<category><![CDATA[drawing from life]]></category>
		<category><![CDATA[how to draw]]></category>
		<category><![CDATA[Light and shade]]></category>
		<category><![CDATA[linear and aerial perspective]]></category>
		<category><![CDATA[make better drawings]]></category>
		<category><![CDATA[Michaelangelo]]></category>
		<category><![CDATA[movement]]></category>
		<category><![CDATA[proportion]]></category>
		<category><![CDATA[Renaissance]]></category>
		<category><![CDATA[rhythm]]></category>
		<category><![CDATA[thrust]]></category>

		<guid isPermaLink="false">http://rebeccahawkinsonpaintings.com/press/?p=11</guid>
		<description><![CDATA[There is really one main idea behind learning to make better drawings:  Form is everything. While it may seem simple, actually learning to understand how this concept plays out in what you experience in whatever you are trying to draw is where the battle lay. &#8220;Form&#8221; was really one of  the most transformational ideas reborn [...]]]></description>
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		<title>Learn to See</title>
		<link>http://rebeccahawkinsonpaintings.com/press/?p=233</link>
		<comments>http://rebeccahawkinsonpaintings.com/press/?p=233#comments</comments>
		<pubDate>Tue, 24 May 2011 18:06:35 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[How to See]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[draw]]></category>
		<category><![CDATA[form]]></category>
		<category><![CDATA[learning to see]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[likeness]]></category>
		<category><![CDATA[shadow]]></category>
		<category><![CDATA[technique]]></category>

		<guid isPermaLink="false">http://rebeccahawkinsonpaintings.com/press/?p=233</guid>
		<description><![CDATA[Painting with oil requires a technical understanding that must be learned and then perfected by an artist as they mature.  Here areseveral ideas that ground this work: The most vital element of working with oil is the ability to see.  &#8221;To see&#8221; is to have an inclination to restate what you see with integrity.  Vision [...]]]></description>
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		<item>
		<title>The 10 Must have Items for Painting in Oil outside</title>
		<link>http://rebeccahawkinsonpaintings.com/press/?p=163</link>
		<comments>http://rebeccahawkinsonpaintings.com/press/?p=163#comments</comments>
		<pubDate>Mon, 16 May 2011 18:52:52 +0000</pubDate>
		<dc:creator>art</dc:creator>
				<category><![CDATA[Landscape Painting]]></category>
		<category><![CDATA[brush]]></category>
		<category><![CDATA[color]]></category>
		<category><![CDATA[landscape painter]]></category>
		<category><![CDATA[light]]></category>
		<category><![CDATA[Painting]]></category>
		<category><![CDATA[painting location]]></category>
		<category><![CDATA[palette]]></category>
		<category><![CDATA[picture]]></category>
		<category><![CDATA[wet paint]]></category>
		<category><![CDATA[wind]]></category>

		<guid isPermaLink="false">http://rebeccahawkinsonpaintings.com/press/?p=163</guid>
		<description><![CDATA[So you want to be a landscape painter ehh?  Ready to leave the dark solitary shadows of the studio and go observe life in the natural world all awash with sunlight, chaotic color and wind, and rain? Painting in oil outside requires a strict rigorous simplicity: you&#8217;ve got to anticipate the conditions, pack light and [...]]]></description>
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